The Never-Ending Story:
Why They're Not Getting Out From Under That Dome
"But when you start with an emergency as your premise, whether it's being held hostage or being under a dome, every time you slacken the tension, you risk making audiences feel cheated. It's one of the most basic ways that the business side of television, in which everything must be drained of all its blood and then often forced to stumble along, zombie-like, for a few more seasons after that, is in conflict with the creative side of television, in which every story has a baked-in pace at which it should progress."
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