Donal Harris on Cold War Modernists: Art, Literature, and American Cultural Diplomacy

Donal Harris on Cold War Modernists : Art, Literature, and American Cultural Diplomacy

The Art of Administration: On Greg Barnhisel’s “Cold War Modernists”

February 2nd, 2016

“Cold War modernism,” then, doesn’t refer to experimental artwork produced between the end of World War II and the Reagan administration, but to “the deployment of modernist art as a weapon of Cold War propaganda by both governmental and unofficial actors as well as to the implicit and explicit understanding of modernism underpinning that deployment.” And, given the archive from which Barnhisel works, this book doesn’t provide Cold War–flavored interpretations of individual modernist works. Instead, it offers an evenhanded explanation of the changing connotation of the term “modernism” as the federal agencies and private foundations listed above sought out an antonym for (Soviet) realism. With this in mind — the afterlife of modernism, instead of its genealogy — the Cold War modernists of the title do not seem to be the painters, sculptors, poets, and novelists who produced the original works, but instead the “governmental and unofficial actors” who produced the federally subsidized midcentury reinterpretation of both individual works and modernism in general, in the name of Cold War politics.