Int J Hist Sport. 2011;28(3-4):393-409.
Boccioni's coin.
Source
Universit degli Studi di Milano, Member of the Italian Society of the History of Sport (SISS).
Abstract
The Ardito was a fighter as well as a competitor whose status as a 'warrior' was based on courage and superior physical performance: a superior man. In addition, his exuberant conduct, both on and off the battlefield, introduced a significant new sub-culture into post-war Italian society, contributing to the attachment of notable value to virility and Mussolini's cult of the 'strong man'. The purpose of this research is to analyse the impact of this 'arditismo' (spirit of daring) on the early post-war period in particular, including the different 'male image' of the Italian citizen, and to study the sense of virility in the transition from the liberal, easy-going 'Little Italy' of Giovanni Giolitti (1842-1928) to a manly, combative, and ambitious nation. Together with some of the vitalistic tendencies in the Futurist movement, the main characteristics and mentality of the ex-Ardito (former Special Forces) would thus be significantly influential in the ideology of nascent Fascism. Indeed, the 'arditismo' influence, together with the article and social movement known as Futurism would constitute the two most highly structured foundations of early Fascist culture, bringing a political and social revolution necessary to create a 'new man'. It was as if the Arditi and the new method of military training had transferred their experience from the military into civilian life, contributing to a renewal of the image of the Italian male in the collective imagination. Indirectly, the image of women would also begin to absorb and adapt to new sports models imported from abroad, which would create for the Italian Ardito, a grudgingly tolerated rival. The main sources for this paper are the archives of the Historical Office of the Army, advertising and manuals from the late nineteenth to the early twentieth century, placards and graphic publicity from books and journals or private collections, and exhibition catalogues.
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